Bass Patch Sound Design Bundle

In the first module, Seppa begins to walk you through Analog's various controls and gives a thorough explanation of each.

Next, Seppa delves into Analog's powerful feature functionality, explaining how to manipulate them to gain total control over your sound, then moves on to a detailed description of Analog's LFOs.

In module 3, Seppa runs through the powerful global controls in Analog. He describes their vast functionality and how and why to use each control.

Moving on to creating some examples, Seppa design an 808 style bass sound. He walks through the different components of the 808 sound, describing in detail how to sculpt each aspect in Analog.

In the penultimate module, Seppa demonstrates how to create a classic bass sound, the Reese bass. Famous for the dynamic and moving texture it adds to any track, the Reese bass is used in genres from drum and bass and dubstep to electro house.

In the final model, Seppa goes through the five included presets.

In the first module, Seppa begins to walk you through Operator's various functions and gives a thorough explanation of each one.

In the second module, Seppa describes how to set up and use Operator's LFO and filter. Continuing, Seppa discusses the pitch envelope controls.

In module 3, Seppa demonstrates how to create a sub bass sound with additional flavour, to translate better onto different systems and add a thunderous foundation to your track.

In this module, Seppa creates a richer and fuller bass part. Starting from the same sine-wave configuration, Seppa uses oscillator B and a variety of filters to create a more mid-range heavy sound.

In the penultimate module, Seppa walks you through designing complex and twisted bass sounds. Full of distortion and noise, these bass parts will transform your track into a bass monster!

In the final model, Seppa goes through the five included presets.

Seppa introduces the course and begins working with his first sound, analysing the spectrum and applying some multiband overdrive.

Additional movement and textural shifts are applied using parallel filter bands and overdriven erosion effects.

The Final Squeeze is applied to the bass patch, to maximise dynamics, whilst some EQ tends to any remaining issues across the frequency range.

Seppa uses parallel notch and band-pass filtering techniques to process the relevant portions of the frequency spectrum, to add interest and colour whilst preserving the sub.

Extra grit is applied using Amp Simulation, to carefully treat the top end, before corrective EQ removes all the unwanted artefacts.

3 techniques for boosting the dimensional perception of the bass, including mid/side processing and application of various static and modulating delays.

The final sound is introduced and some EQ and stacked overdrive effects applied, to shape it and create additional high frequency layers.

Seppa introduces Sampler and starts working his way through the instrument, with a detailed look at the controls on the Sample tab.

A thorough explanation of how the different envelopes on the synth work, including those that manipulate pitch, filter frequency and frequency-modulation.

Notch filtering, shaping and some alternative modulation methods are utilised for this next patch, which make it undulate in a dark and menacing way.

A series of lessons that focus on Notes Mode for the Touchstrips, which allows MIDI notes to be played for numerous cool and unique ways of making melodic parts.